Pandora’s Box
To return a little to this project (which is not forgotten…the online notes have only taken a hiatus).
From Latour, Pandora’s Hope:
When a phenomenon “definitely” exists this does not mean that it exists forever, or independently of all practice and discipline, but that it has been entrenched in a costly and massive institution which has to be monitored and protected with great care. (155-156)
Latour, speaking of science and Pasteur, could also be speaking about Detroit. The “phenomenon” of Detroit, particularly as it is conceived in rhetorical terms, is one that is asked to exist in an entrenched institution. That institution, the one we communally refer to as “ruins” or “1967″ or some other circulated tag, has become institutionalized within a collective vocabulary in very specific - and often, inflexible - ways. The agents who monitor and care for this institutionalization vary, but we can identify some as “public” agents. Examples include: the generic news, popular expression, gossip, academic discussion (most of which centers on at least two parts of the the triad of race, class, and gender; gender not getting much attention regarding Detroit). These agents guard against other readings and usages of the thing we might name “Detroit.” Any discussion of Detroit, for instance, that fails to mention the issue of race is deemed faulty even though the discussion of race is already well circulated and known (it is monitored and cared for). When we rush to point out the very real racial inequalities the city experiences, we do not add to a discussion or create a new kind of discussion; we enforce an already existing one.
Thus, Digital Detroit is a move towards Latour’s rejection of so-called independence. The thing I - or anyone - names Detroit is not independent of a variety of forces, actions, things, people, and so on that interact and generate a number of spaces we have given this particular name (and then there are the spaces within the spaces). Latour is an excellent teacher for this project. Two notable examples - “research” in Aramis and Pasteur in Pandora’s Hope - explore how many (without ever reaching a specific number) forces are at play in any given moment, text, position, idea, etc.